Studying Big Sid Catlett in 1947 Movie

SKF NOTE: Long, long ago I read somewhere — album liner notes? magazine interview? jazz book? — Sidney “Big Sid” Catlett was the main influence on Max Roach’s melodic drumming style. It may have been Max’s March 20, 1958 Down Beat with Don Gold, in which Max said, “…Sid Catlett has been my main source of inspiration.”

Max composed a now famous drum solo dedicated to Mr. Catlett titled, “For Big Sid,” inspired by the opening horn riff on Louis Armstrong’s song, “Mop Mop,” a drum solo feature for Catlett.

After discovering the Roach/Catlett lineage, typical of me, I bought as many recordings as I could find with Sid Catlett on drums. To date my favorites is the live “Satchmo At Symphony Hall 65th Anniversary: The Complete Performances,” album (1947). A spectacular band playing spectacular music, including Catlett’s classic “Mop Mop” drum solo. Listening to Big Sid on this entire album is a joy, a two-hour drum lesson.

That said, I went searching for Big Sid Catlett video last night and found this old movie, “Boy! What a Girl!” Catlett appears in three scenes. The most famous is with Gene Krupa. It starts in this video at 47:39.

At 08:31, a house rent party scene, there’s we can study Sid’s right hand cymbal technique.

The swinging dance scene starting at 30:02 offers a look at Catlett and his drumset, including his front bass drum lettering telling us Big Sid Catlett was Esquire Magazine’s jazz drummer poll winner in 1944 and 1945. But he’s not playing on this number.

That changes at 39:00 with some good footage of Sid making use of his entire drumset. Granted, the instrument tracks in this movie are overdubbed, but take notice of how Catlett plays with almost no wasted motion. Amazing.

Gene Krupa enters the scene starting at 47:39. After a brief exchange with Big Sid asking Krupa, “Well, what do you want?”, Krupa plays, then returns Catlett’s sticks.

Years before, Big Sid Catlett was in Krupa’s famous drum chair with the Benny Goodman Orchestra. The album, “Roll ‘Em! Live in 1941,” is entirely Big Sid with the Goodman Orchestra.

Catlett says, “I know who you are. You’re Gene Krupa.”

“Yeah. Don’t forget, Sid, I want you to do the same for me in one of my pictures,” answers Krupa.

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Neil Peart – Lyricists & Drummers: A Lot in Common (198?)

SKF NOTE: Once I identify the year of this interview I will let you know. As I’ve written before, digitizing my old analog drum tapes teaches me many lessons in hindsight, one of which is: Label all interview cassettes carefully and thoroughly at the time of the interview. Don’t assume some future person — interviewer included — can identify all the interview details.

I know for certain this is Neil Peart and me in the 1980s. Rather than best guess the other details now, I will keep digging and add those details later.

In this excerpt I asked Neil if there was ever a time he struggled with being a writer and being a drummer. In answering, Neil talks about his start as Rush’s lyricist, and about his writing interests moving to prose from verse. At the time of this interview, Neil realizes his prose writing goal will have to remain, for the most part, on hold as long as he remains with Rush. Rush, he says, is a 100-percent commitment.

“I think there will become a time when I’m as good as I can ever be, and I will have to say, ‘Okay, I can live on this for awhile,” [but] I have another goal,” Neil Peart said.

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Neal Sausen Thoughts on Drum Guru Freddie Gruber May 18, 2015

SKF NOTE: Thank you, Neal Sausen, for sharing with the world some of your recollections of drum lessons with Freddie Gruber. Very well done. And thank you, Aditya Tyagi, for bringing this video to my attention through my YouTube page.

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Curious About ‘White Album’ Demos, Outtakes, Photos, Video

SKF NOTE: Remixes of great Sixties popular music I’ve heard are hit or miss. Having grown up listening to the original mixes, the clarity (sterility?) of some Sixties remixes kills the music’s charm. The Motown remixes are the most infamous I can name.

But from the music I’ve heard, and the back stories I’ve read, of The Beatles’ “White Album,” this looks like a winner. I still have fond memories of sitting with “that old gang of mine” in front of record players, listening many times to the original vinyl stereo albums.

Mostly I’m curious about all the music on this “White Album” Anniversary Edition never before released to the public; the Esher demo tapes, the outtakes, and the studio banter. Also, the photos and videos.

The remix engineers do a good job here explaining their work. It’s fun seeing clips of Ringo in the studio with white hand towels draped over his drumheads. They definitely added to Ringo’s sound.

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Unreleased Frankie Dunlop with Monk Quartet 1963

SKF NOTE: Wow! Unreleased Monk with Frankie Dunlop on drums. Live! Thank you, Gearbox Records. I bought an MP3 copy of this last night.

Frankie, as always, plays great. His drum sound is deep, wide open. Don’t miss it.

Here’s some background on the recording. I’m assuming “saved from a skip” means a garbage can or a trash bin. Thank you in advance to anyone who can confirm or correct me.

With the original tapes recently saved from a skip, some 55 years later the recordings have now been faithfully restored, mastered and cut using Gearbox’s legendary all-analogue process (even using the exact same lathe as Blue Note did back in the day). The result reveals a window into a performance that shows Monk in his prime, just one year before he would go on to become one of only 4 jazz artists to ever appear on the front cover of TIME magazine.

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