Thank You For Your Help

A heartfelt thank you for visiting my blog, Life Beyond the Cymbals, and to visitors willing and able to to support the work with a donation.

Started in April 2014, Life Beyond the Cymbals is mostly about drumming and drummers. It’s about passing along music/life lessons I’ve learned from some of the world’s greatest drummers . I hope some of these stories are helpful to you.

My professional work is in public relations, writing, marketing, and communications across all media, with a 25-plus year track record in high profile positions.

After a start as freelance writer for Modern Drummer magazine in 1977, founder/publisher Ron Spagnardi hired me as MD‘s managing editor (1980-1983). I was the contact with MD‘s freelance writers and photographers, making sure we had by deadline, all the features and columns, with photos, needed for each issue.

In addition to my managing editor duties, I wrote almost 50-percent of the MD’s feature stories by the time I left in 1983.

My MD interviews included Max Roach, Mel Lewis, Neil Peart, Charlie Watts, Bill Bruford, Gary Chester, Joe Morello, Freddie Gruber, Roy Haynes, Paul T. Riddle, Butch Trucks & Jaimo, Artimus Pyle, Jim Gordon, Fred Below, Shiela E, Paul Motian, Jim Keltner, Alan Dawson, Carmine Appice, Dave Weckl, Max Weinberg, Jason Bonham, Teri Lyn Carrington, Barry Keane, Roy McCurdy, M’Boom, and Ed Blackwell.

I also wrote the first published History of Rock Drumming as a five-part MD feature series,

My writings have been cited in several books including, The New Grove Dictionary of Jazz; Max Weinberg’s The Big Beat, and Robin D.G. Kelley’s Thelonious Monk: The Life and Times of an American Original.

Once again, thank you for supporting my work on this blog.

My complete resume is available here. Feel free to contact me anytime. I am always open to your good ideas for making this a better place.

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Neil Peart on Music and Writing Pt 2

SKF NOTE: When I posted the first part of this interview I had forgotten this interview was the basis for Neil Peart’s April 1984 Modern Drummer cover story. I thank those listeners who refreshed my memory.

This is the other side of the cassette used to tape this interview. Much more of the conversation here, unlike Part 1, is about drums and drumming. But our discussion also includes writers and writing.

The conversation on both sides of this cassette starts mid-sentence. “Adam,” who I mention at the start of this interview, is the name of the drummer who won one of Neil’s drumset giveaways.

My question to Neil concerned some drummers’ belief that drum gear makes the drummer. That is, owning Neil’s drumset meant Adam should sound like Neil Peart.

In 1983 or 1984, pre-digital media, these tapes served only as the basis for the written interview. During interviews, the click of the tape ending was my cue to turn over the tape and start recording on the other side, or to start recording with a new tape.

Sometimes I wouldn’t hear the click. Sometimes there was no click. But, I never wanted to stop the conversation while changing tapes. Normally, within a day or two of an interview, I would transcribe the tapes; my memory of the conversation fresh enough to fill in a few seconds of blank tape.

Again, this 45-minutes conversation with Neil Peart is one of my favorites. It is a conversation with two guys who love music, drumming, and writing.

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Kenny Clarke Raised the Bar for Drummers

SKF NOTE: Kenny Clarke is a drummer I read about before I heard him play. Clarke is a founding father of Bebop, credited with moving timekeeping off the hi-hat and over to the ride cymbal. He did so, according to one account, because crossing his right arm over his left to play the hi-hat was awkward, and limited Clarke’s left-hand movement.

Clarke is also credited as a pioneer in expanding use of the bass drum. Not satisfied playing steady 1-2-3-4 timekeeping on his bass drum, he started playing bass drum accents.

I first heard Clarke play on trumpeter Dizzy Gillespie’s 1946 big band recording of “Things to Come.” The skill necessary to play that tune was daunting and depressing. After listening to “Things” the first time I remember asking myself, “How are you ever going to be as good as that drummer?”

Hearing Clarke on a live ESP album with the Bud Powell Trio was equally impressive. Again, Clarke’s brush and stick work, his skill in the piano trio setting, raised the bar on my drumming.

Then, moving into the YouTube era, so many great videos of Clarke drumming are available. They are wonderful to watch. Seeing and hearing Clarke play is much different than only hearing him play.

Finding Clarke’s obituary yesterday in an old Down Beat magazine brought all these memories to mind. What a great drumming legacy.

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Neil Peart on Music and Writing Pt. 1

SKF NOTE: This 30-plus minute conversation with Neil Peart is one of my favorites. It is a conversation with two guys who love music, drumming, and writing. Neil talks about his goal to transition to professional writer from drummer/lyricist, once he experiences “diminishing returns” on improving as a drummer.

I’m afraid I had forgotten where this interview took place and in which issue of Modern Drummer magazine it appeared. Since I originally posted this I was reminded this interview is the source for Neil’s April 1984 MD cover story.

And re-reading that interview online here, I discovered in my own words, “this interview…was done [in a room backstage] on the last day of Rush’s five-concert series at Radio City Music Hall.”

Finally, Neil sent me the photo used here of he and his daughter. Neil is so happy in this pic. I attributed Neil’s happiness to his triumph in reaching his goal of becoming a pro writer, while focusing less on his former role as “Rush’s drummer/lyricist.” Because Neil published this photo elsewhere, I am comfortable using it here.

NOTE: There are some glitches in this sound file. The original sources were cheap cassette tapes. Digitizing these tapes exposed low-volume and loss of some data. So there are perhaps eight spots where the sound is missing. I shortened the “dead air” spots, but left them in place so listeners will know what they are.

I think Neil’s writing fans will especially enjoy hearing him here. This is the Neil I remember. A bright, curious guy with no airs about him, enjoying our conversation.

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Joe Morello – ‘Brother Jack’

SKF NOTE: From Joe Morello’s “Sextet And Big Band album released in 1989. Known primarily for his small band drumming, especially with The Dave Brubeck Quartet, this track presents a driving, swinging, big band drumming Joe Morello. Enjoy.

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