When Did I First Hear Buddy Rich?

SKF NOTE: Recalling one morning places I saw Buddy Rich playing live. Not trying to remember times I watched Rich on television shows like “The Tonight Show.”

I remember seeing Buddy Rich in concert five times.

There was one afternoon watching Buddy at NYU. He stopped playing in the middle of his obligatory extended drum solo. And that was the end of Rich’s concert.

At Eisenhower Park, East Meadow, NY, Buddy sat at his drums playing time on his hi-hat, ready to open his second set, when he noticed a sax player missing. Rich stopped playing and asked other sax section members if they knew the missing player’s whereabouts.

They did not.

A moment later the missing sax player rushed onto the stage, took his seat, and opened the opening chart.

“Nice that you could make it,” said Buddy sarcastically. “Enjoy your last night with the band.”

Ouch!

It’s odd, I think, how my memory of first hearing Gene Krupa is clear as a ride cymbal bell. I also have vivid memories of hearing, for the first time, Max Roach, Ed Blackwell, Elvin Jones, Papa Jo Jones, Chick Webb, Jack DeJohnette, Ed Soph, and other drummers.

Through the years, right up to today, ask me who’s the best drummer, and I will tell you: Buddy Rich.

Oh, there are many other great players. But, for having command of the instrument? Rich was the best.

But I cannot remember the first time I heard Buddy Rich.

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Memories of Roy Haynes 46 Years Ago

SKF NOTE: With Roy Haynes’s passing I’m reminded of several gems Haynes said in our interview in his home on this day, November 15, 46 years ago, when Haynes was 53 years old.

Having seen plenty of transcriptions of Haynes drum solos, presented on manuscript paper as so many triplet and other drum rudiment variations, I asked Haynes about favorite rudiment variations. He answered, “Not everything I play has a name.” And later, “I like sounds.”

Haynes was noted for freeing up the hi-hat. He didn’t often play his hi-hat on the standard 2 and 4 beats. Instead, his hi-hat was an independent voice within his overall drumset playing.

When I asked him about this innovation, Haynes laughed. He said he couldn’t play his foot in a continuous 2 and 4 on his hi-hat.

So, what some might consider a shortcoming became a signature part of the Haynes snap, crackle, pop sound.

Haynes said he dreaded playing drum battles with Papa Jo Jones. He said he, Haynes, could play the slickest drums ever, and Jones would have some trick – perhaps a facial expression, or a stick twirl – that would inevitably persuade the audience to vote Papa Jo the drum battle winner.

There was the time Roy Haynes was with a band sharing billing with Buddy Rich’s band. At one point, Haynes had to play a drum solo and he felt the great pressure of soloing with Rich in the house.

But, said Haynes, “everything went right” with his drum solo. And when Rich stepped onstage for his next set, he stepped up to the microphone, telling the audience about the sensational Haynes performance, and leading the audience in another round of applause for Haynes.

Roy told me that meant a lot to him.

I have several more memories of my time 46 years ago with Roy Haynes. But I will leave those for another day.

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New Tony, Jack, and Cobb in November

SKF NOTE: November promises to be a great music month for drummers with newly released albums featuring Tony Williams, Jack DeJohnette, and Jimmy Cobb.

The Lost Recordings label is releasing the Miles Davis Quintet’s The Complete Live in Paris Vol. 1. This is the Olympia, Paris concert of October 11, 1960. Miles’s band, in addition to himself, included Sonny Stitt (saxophones), Wynton Kelly (piano), Paul Chambers (bass), and Jimmy Cobb (drums).

“For the first ever, this legendary concert is published in its entirety. The adventure began in 2022 with a visit to a tape recorder enthusiast who had the missing part of this extraordinary recording,” TLR tells us.

This concert, most of it, has been available for awhile. From what I can tell, TLR’s Vol. 1 includes four previously unissued concert songs: Softly, As in the Morning Sunrise, Autumn Leaves, Makin’ Whoopee, and So What.

We will have to see if Vol. 2 includes more unreleased songs.

But Miles’s band here with Stitt is excellent. The rhythm section, sometimes referred to as The Trio, always makes great music, always gives pianists, bassists, and drummers something to think about.

Jack DeJohnette is the drummer on Blue Note records’ upcoming album, McCoy Tyner & Joe Henderson – Forces of Nature: Live at Slugs,’ recorded in 1966.

Said DeJohnette of this band and this date, which includes bassist Henry Grimes, “Everybody really played like there was no tomorrow. Luckily, we have this document from that week with this incredible personnel making this incredible music with this intensity and commitment. This recording represents a time and period where musicians were really playing, intensely searching and experimenting with new things.”

Finally, Columbia/Legacy Recordings delivers over four hours of previously unreleased music with Miles Davis’s Second Great Quintet on Miles in France – Miles Davis Quintet 1963/64: The Bootleg Series, Vol. 8.

Is this album title misleading? The Second Great Quintet, in my mind, is Miles Davis, Herbie Hancock (piano), Ron Carter (bass), Tony Williams (drums), and Wayne Shorter (saxophones). Columbia/Legacy’s upcoming Davis album is half Miles with Shorter, and half Miles with George Coleman (saxophones).

All in all, any month giving us new music from DeJohnette, Cobb, and Williams, is a great month.

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Barry Keane’s 5 Great Ringo Drum Performances

SKF NOTE: I highly recommend listening to award winning Canadian podcaster Paul Romanuk’s current episode. It’s an informative discussion with drummer Barry Keane about Ringo, The Beatles, and the Lightfoot Band.

No different from other times I’ve listened to Keane interviews, I learned a great deal.

Here’s how Romanuk describes this podcast episode:

Veteran Canadian session drummer, and longtime drummer with The Gordon Lightfoot Band, Barry Keane talks about some of his favourite Ringo Starr drum moments. Barry also shares some stories, with host Paul Romanuk, about what it was like to be on the drum stool behind Canadian musical giant Gordon Lightfoot for almost 50 years.

Meanwhile, here’s my most recent interview with Barry Keane talking about The Lightfoot Band.

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Newly Released Song Explores Fatherhood Lost to Abortion

For Immediate Release
October 26, 2024

FOR MORE INFORMATION
Contact: Scott K Fish
scottkfish@gmail.com or 207-458-7185

Newly Released Song Explores Fatherhood Lost to Abortion

Turner, ME – A man anticipates fatherhood. The prospective mother chooses abortion instead. Shattered hopes force him to start his life over.

“She Changed Her Mind,” the newly released song by Scott K Fish and Jason Carey on PineCone Records USA, tells about this emotional journey.

“For men who want to be fathers, abortion has a unique impact. Sadly, their side is absent from public discourse and policy discussions on this issue,” said songwriter Fish.

“I’ve forgotten the name of the columnist who said men whose dreams of fatherhood end with abortion, live the remainder of their lives with ghosts. There’s truth in that,” Fish said.

Jason Carey produced/arranged “She Changed Her Mind.” He added, “This song, giving voice to the pain and suffering of this individual experience, also encourages respectful conversations about it.”

“She Changed Her Mind,” dedicated to men living with ghosts, is available for a limited time from PineCone Records on the web at https://pineconerecords.com/she-changed-her-mind and across popular social media platforms.

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