Scott K Fish Interview: Paul T. Riddle

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SKF NOTE: Paul T. Riddle (aka “P.T.”) was my first interview as Modern Drummer‘s Managing Editor. We conducted the bulk of this interview in his hotel room in New Jersey. The Marshall Tucker Band was playing at what was then the Garden State Arts Center. Today it is the PNC Bank Arts Center in Holmdel, NJ.

From the instant P.T. opened his Sheraton Hotel room door it felt like I was visiting an old friend. He was 26 and I was 29 — more than half a lifetime ago. We have remained close friends over the years. Indeed, Riddle is among my very best friends.

Since MTB Paul has created and recorded a couple of his own bands: The Throbbers and then Watson Riddle. He’s built an amazing drum teaching practice in South Carolina. And he has almost 3,500 “Friends” on his Facebook page!

Paul is a jazzer at heart. That first time we met for his interview, Paul had on Ron Carter’s Carnaval album with Hank Jones, Sadao Watanabe, and Tony Williams. Among the stories Paul tells with fond memories is meeting Buddy Rich on his band bus, or the time Paul and I and a couple of MTB members went to see Mel Lewis‘s Big Band at the Village Vanguard in New York City.

I introduced Mel and Paul. After his first set of the night, Mel came over to Paul, arms folded across his chest, and said, “Well, that’s what I do.” I visited Paul at home this past June. We still laughed recounting how g-r-e-a-t Mel’s bass drum sounded that night.

Paul was a good friend to Modern Drummer. I’m sure he helped us secure the Jaimo/Butch Trucks interview. Also, MD‘s interview with Lynyrd Skynyrd‘s Artimus Pyle. In fact, Paul was with me interviewing Artimus. And David Dix of The Outlaws.

These days Riddle is playing Palmetto Drums made in Greenville, South Carolina. In this promo video, Paul does a great job bringing us up-to-speed on what he’s been doing since leaving the Marshall Tucker Band.

For years and years Riddle and I have talked about teaming up on a book. I’m ready when he is! And I hope it happens.

[SKF NOTE: 6/17/17 – Paul T. Riddle’s full interview is now available on MD‘s Archive Page.]

Paul T. Riddle with Scott K Fish
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Only Able to Play The Piano Well When….

“A long time ago, when I was just a child and my mother was forcing me to learn the piano, I said to myself that I would only be able to play it well when I was in love.”

Source: Veronika Decides to Die, by Paulo Coelho, One Spirit Publisher 2003

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Frankie Dunlop’s Christmas Card

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SKF NOTE: Going through some boxes of writings, photos, and other leftovers last night, I found some items, like this Christmas card from Frankie Dunlop, that bring back good memories.

This was probably Christmas 1984. I met two or three times with Frankie, interviewing him for Modern Drummer. The last time we met was at my house in Connecticut – which Frankie refers to in his Christmas card note. I moved to Connecticut after I left MD in the fall of 1983.

I don’t remember if photographer Chuck Stewart took Frankie’s MD interview photos. I hope so! From his note, Frankie clearly had an appointment with Chuck.

Frankie’s “Apple Juice Fizz” reference is to a concoction Frankie had with him, a simple mixture of plain seltzer and apple juice. I still drink it from time-to-time, except I call that drink a Frankie Dunlop.

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Max Roach: A Great Drummer Looks Back at Influences (1958)

SKF NOTE: One of my favorite Down Beat issues. DB editor Don Gold includes several Max Roach insights on great jazz musicians like Thelonious Monk, Kenny Clarke, and Miles Davis. Max was 33-years old at the time. The cover art is by Peter Gourfain.

The underscored parts are mine, probably for research in preparation for my interview with Max or for some other drum article. I also underscore notable passages in books.

Finally, the Max Roach Zildjian and Gretsch ads are included in this Down Beat too.

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Keith Richards: The Beat Should Shift, Fly, and Move

SKF NOTE: A couple of useful thoughts on drummers and rhythm from one of the world’s renowned rhythm guitarists.

rollingstone.com
Keith Richards on Getting Busted, Zeppelin and Stones’ Future
“God knows what laboratory made it, but it’s a kind of natural thing,” says guitarist of Stones’ chemistry
By Patrick Doyle October 8, 2015

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“I love studios, even when they’re empty,” says Keith Richards…on a recording-studio couch in downtown New York. [T]here’s nothing but a faint electronic noise. “There’s that little hum. Silence is your canvas. You look out there and you think, ‘Ah, the possibilities! Given a good song and a good drummer.'”

Patrick Doyle: You’ve always managed to kind of screw with sounds and come up with something new…. I tried to learn “Before They Make Me Run” once with a band, and figuring out where you skip beats and go into the chorus a bar early can be really hard to follow!

Keith Richards: [Laughs] It is, yeah. The beat is something to be played with, moved around. The beat isn’t there as some solid, concrete “one, two, three, four.” It’s something to shift and fly and move. I’m very jazz-like — [I like] Philly Joe Jones. I love looseness.

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