Buddy Rich Enters Down Beat Hall of Fame

SKF NOTE: I am surprised by Down Beat Publisher Charles Suber‘s First Chorus. In Down Beat‘s 40 year existence (as of 1974), Buddy Rich is only the second drummer DB readers chose for DB Readers Hall of Fame. The first drummer is Gene Krupa.

There list of pioneering drummers between 1934 and 1974 is a long one. So, on one hand, it’s a shame there are so few drummers in DB‘s Hall of Fame.

But there’s another side to this story, a side I remember thinking about tallying results of one Modern Drummer Readers Poll. I had this notion of fairness. I never thought about it. It was my assumption that at some point, every drummer deserving a place in the Hall of Fame gets it.

Then I did the math. I ran the numbers. One Readers Poll per year. One Hall of Fame winner per year. Time is not kind to deserving drummers not in the public eye who, with each passing year, drop further from the public eye.

Bottom line: Not every drummer who should be in the DB Hall of Fame, or MD’s Hall of Fame, will have that honor. The same is certainly true for musicians on all instruments.

What I’m posting here is the DB Hall of Fame cover and page showing Buddy Rich’s win. Also, Charles Suber’s Buddy Rich remarks in his preview of the poll results. Finally, the Slingerland ad — a nice photo of Buddy — is from the same DB.

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Bob Dylan’s IBM Ad

SKF NOTE: Somewhere pigs are flying.

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Dennis Wilson Camco Endorsement Ad 1968

SKF NOTE: I spotted this ad in the January 11, 1968 Down Beat. I know Hal Blaine did a great deal of studio work for the Beach Boys. DrumForum.org has an interesting forum discussion on Dennis’s and Hal’s individual drumming for the Beach Boys. Click here.

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Max Roach: The Most Structured Drummer Ever?

582003_max_roach_db_intv_0001SKF NOTE: I think collecting well-written, first-person, live performance reviews of the great jazz drummers is useful. This was review was in Radio Free Jazz: The Magazine of the Pros, which, its name notwithstanding, was a newspaper out of Washington, D.C.

[Max] Roach‘s first solo seemed reflective, while the second displayed his knowledge of African percussion sound; his snare was turned off and the flat tone blended perfectly with his tenor tomtoms [sic]. His articulation here was not concerned with speed and showcase effects, but with the vocal properties he knew he could coax from the kit. Roach is simply a master at accompaniment and perhaps the most structured drummer ever.”

Source: An Evening With Betty, Dexter And Max: Avery Fisher Hall, June 25, by Ron Wellburn, Radio Free Jazz: The Magazine of the Jazz Pros, August 1978

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What’s It Like Playing Drums in a Band?

Photo by Eileen Heidrich

SKF NOTE: Last night a new friend, a non-musician, asked me two drum questions:

Can you explain what it’s like playing drums in a band? Does music need drums?

I answered with non-technical language. I said:

Next time you’re listening to your favorite music — rock, jazz, blues, country — imagine how it sounds without drums. If you can, that’s a quick way of answering your second question. Technically, most music doesn’t need drums: Solo pianists and guitarists. Duets. String trios and quartets. Folk singers. A cappella groups.

But drums add to music definition, punctuation, shading and power. A drummer’s basic job is to hold a song and a band together by keeping time. It’s the same idea as parade groups marching together. A parade group where everyone is marching freestyle might be amusing, but it’s no way to organize a parade group.

With bands of any size or musical style, the musicians should be playing together, in sync, functioning as a team.

What is it like playing drums in a band? Well, when the other members of the band can keep good time on their own, when they can play songs tight together without the drummer — that makes the drummer’s job much easier, more enjoyable.

Have you ever driven a car with steering that pulls persistently right or left? Keeping a car like that in the center of the driving lane is what drumming feels like when one or more band members has a serious problem keeping time.

In bands where timekeeping is a given, where none of the band members needs the drummer or anyone else to keep time for them — the drummer still keeps time, but he or she can spend more time having musical conversations with other band members.

When that happens, playing drums in a band is like having one of those perfect days.

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