Drums & Demons – The Tragic Journey of Jim Gordon

SKF NOTE: Author Joel Selvin’s biography, “Drums & Demons: The Tragic Journey of Jim Gordon,” is scheduled for release on February 27, 2024.

As stated in the “Drums & Demons” press release, Selvin wrote the book, “With full cooperation from the late Gordon’s family, and based on his trademark extensive, detailed research, Joel Selvin’s account is at once an epic journey through an artist’s monumental musical contributions, a rollicking history of rock drumming, and a terrifying downward spiral into unimaginable madness that Gordon fought a valiant but losing battle against. One of the great untold stories of rock is finally being told.”

Selvin interviewed me several months ago for “Drums & Demons.” Mostly he wanted to know how my Modern Drummer feature interview with Gordon came to pass. I was happy to talk by phone with Selvin; to tell my story and to answer his questions.

Last week I received an Advance Reader Copy (ARC) of “Drums & Demons.” I look forward to reading it, but, of course, the first thing I did was to flip through to the pages where I am mentioned.

My name is misspelled in one spot as “Scott L Fish,” not Scott K Fish.

On page 219, where Selvin writes about the conditions during my Gordon phone interview, “[Fish] had not reviewed Jim’s career or listened to any records.”

I wrote Selvin, thanked him for sending his book, and asking if he could correct my misspelled name.

Also, I asked him to consider rewriting what he wrote on page 219 because it is incorrect. At best, it gives readers the wrong impression.

I wrote Selvin, “It would be accurate to say, ‘Fish had not prepared to interview Gordon in the thorough way Fish normally prepared for Modern Drummer feature interviews.’

“Normally, before interviewing Gordon, I would have listened to everything he recorded, or as much of his recorded works as possible. And I would have read as much as possible, although there probably wasn’t much in print at the time. Maybe some liner notes,” I wrote Selvin.

He sent me an email reply graciously promising to make the corrections in “Drums & Demons” second printing.

That’s great.

Meanwhile, you can now order “Drums & Demons” for deliver when it is published in late February. Click here.

And you can listen to Jim Gordon’s full interview here:

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Neil Peart Freewheeling Conversation – August 1989

SKF NOTE – In August 1989, Neil Peart invited Scott K Fish to his Toronto home to, in part, conduct a Blindfold Test for a new percussion magazine that never saw the light of day.

Following the Blindfold Test, the tape was turned off and on to capture topics like song lyric concepts, minimalist drumming, studio recording — in a very random way.

I will post Part 2 of this conversation asap. Thank you for listening.

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Joe Cusatis: West Side Story Brilliance

SKF NOTE: The Peter Nero Trio’s “West Side Story” medley is sheer musical brilliance. Anyone should be able to appreciate it, but that is especially true for musicians who have worked to create new arrangements and sounds while working in acoustic piano trios.

This live album was recorded in NYC in 1963. I picked up a vinyl copy while living in IA in the early 1970s and was stunned by Joe Cusatis’s drumming throughout. But especially on this medley.

After 50 years of carting this album with me I digitized it. Do I own the copyright? No. And I will remove this post if the copyright owner insists.

But until that happens – or until the copywrite owner has the wisdom to reissue this album digitally – enjoy this brilliant performance by Joe Cusatis with the Peter Nero Trio.

The Peter Nero Trio with Joe Cusatis in 1966.
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Audio Samples: Peart’s 1989 Freewheeling Conversation

SKF NOTE: Sometime this week I will post Part 1 of a conversation I had with Neil Peart on August 21, 1989.

It may actually have been a two-day conversation. And to be as precise as possible, ours were several conversations taped during a visit to Neil’s Toronto home.

Sometimes our talks were very specific: Neil Peart’s drummer “Blindfold Test.”

But, listening now to almost two-hours of discussion – we talked about lyrics, writing, recording, performing – many topics.

Until I can write a proper blog post intro to our almost two-hour 1989 dialogue, here are three pull-quotes from the tape.

  • Neil talking about a metaphorical concept in the recording studio of charging more to play simple.
  • Working on his drum parts using the drum machine beats used by his songwriting band mates, Neil resolves himself to use the drum machine “dumb part” if that’s what works.
  • What Neil would do for work if Rush disbanded tomorrow.
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Peart 1989 ‘Blindfold Test’ Tape Found

SKF NOTE: Found my 1981 drummer “Blindfold Test” with Neil Peart. Interview taped w Peart at home in Toronto.

Cleaning tape now.

Will post soon.

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