Vibra-Fibing Neil Peart’s Drums: The Process (1982)

SKF NOTE: I think this is Neil Graham of Percussion Center, Wayne, IN speaking with me about the Percussion Center’s process of Vibra-Fibing Neil Peart‘s drumset, probably in response to a question from a Modern Drummer reader. If this is not Neil Graham, I would really appreciate any knowing source who will write and help me correct the record.

As I’m listening back to these old tapes I wish I had thought to record the interviewee’s name and the date of the recording. Lesson learned.

This conversation was probably in 1982 after Neil Peart launched a contest through MD to give away the Tama drumset pictured here. Vibra-Fibe was a unique process at this time. Especially since Neil Peart had his drumset Vibra-Fibe treated, lots of drummers wanted to know what the process was all about.

SKF NOTE: After this post I heard from a couple of people who knew Neil Graham. They confirmed that the person I’m speaking with in this audio excerpt is Neil Graham. (9/15/19)

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Morello – The “Take Five” Cymbal Documentary

SKF NOTE: Wow! Thinking I had a better than average knowledge of Joe Morello’s career I almost skipped this video. I’m glad I didn’t. What a wonderful, warm vignette, full of Morello facts brand new to me. Thank you!

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Tony Williams: I Am a Big Fan of The Beatles

SKF NOTE: This is a curious interview with Tony Williams on The Jazz Network, a show produced by John Sterling which aired 1991-96. This video appears to be a copy of a master video delivered by The Jazz Network to local tv stations offering the show to local viewers. YouTube viewers might want to fast forward through the three segments of white lettering on black background notifying local tv stations these sections are “Space for three minutes of commercials.”

This episode of The Jazz Network is in two segments: footage of The Tony Williams Quintet Live in NYC (1989), and then some Q&A between tv host Bobby Lyle and Tony. I would have liked more of the interview. I’ve watched the Quintet in NYC full video a few times, and good interviews with Tony Williams are hard to find.

My favorite part of the interview is Tony answering Mr. Lyle’s question about how Tony got into composing music. Also, Tony’s unqualified admiration of The Beatles!

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Buddy Rich: Navigating Strange Drumsets

SKF NOTE: Following up a clip posted where guitarist Les Paul is telling a club audience of the time Buddy Rich told Les he, Buddy, was going to get a guitar, become a folksinger, and give up drums. Here’s another clip, from Brett Rosenberg, Buddy Rich on In Melbourne Tonight, where Buddy performs mostly as a standup singer.

The segment closes when stage hands roll out onstage a drumset. Buddy sits down, counts off an uptempo riff blues, and away he goes. Buddy’s ability to sit down, burn, and navigate strange drumsets always impressed me, especially his adapting to strange snare drums.

This Melbourne Tonight clip is a case in point. The drums, I think, are Premier. To cut down on travel costs in those days, drummers sometimes traveled with their cymbals and maybe their own snare. Drummers also toured and made arrangements to use drums and cymbals along the way. (Here’s a post about Jimmy Madison rescuing a touring Joe Morello from a substandard snare drum.)

Buddy seems slightly uncomfortable with this snare drum tuning. (Buddy would say “tensioning.”) He’s also missing his two crash cymbals — which works to the advantage of drummers watching this performance. Both the overhead and side cameras provide fascinating closeups of Buddy’s hands, arms, and body motion.

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Ed Thigpen Plays ‘Chicago’ Live 1961

SKF NOTE: Many thanks to Wladi Plus for posting this clip of one of the great jazz trios, and certainly, the greatest of many great Oscar Peterson Trios. This 1961 clip is a lesson in how well Peterson, Ray Brown (bass), and Ed Thigpen (drums) played music as a team. It was Ray Brown, I think, who once said in an interview that this trio was unique for its song arrangements. The three men didn’t simply rely on play the head, blow on the tune, repeat the head, out. They worked at arranging songs.

The cameramen give us a good (but too short) up close view of Ed Thigpen — whose silver sparkle Ludwig drums remain a classic sound. No wasted motion, no hypertension, from any of these players.

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