Tag Archives: Max Weinberg

A Conversation with Charlie Watts (1981)

SKF NOTE: This interview with Charlie Watts took place in Charlie’s New York City hotel room on November 12, 1981. The Rolling Stones were on tour in America. Tina Turner was their opening act. The basic back story to this interview … Continue reading

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Charlie Watts, Max Weinberg: Ludwig vs Premier vs Rogers (1981)

SKF NOTE: I’m sorry for the audio quality here, especially the first few seconds. I’ve sweetened the sound to the best of my ability, and while it’s not great sound, it’s audible. I’m posting this excerpt from my November 12, … Continue reading

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Jaimoe on Charles ‘Honeyboy’ Otis: I Was in Shock for About a Month

SKF NOTE: This is another small piece of a longer interview that took place on April 3, 1982 after an Elvin Jones drum clinic at Professional Percussion Center in New York City. Taking part in the interview were Max Weinberg, … Continue reading

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Paul T. Riddle and Max Weinberg: Don’t Get Lazy, Keep Learning

SKF NOTE: My full three-way exchange with drummers Max Weinberg and Paul T. Riddle remains unpublished. In the early 1980s, Max and I were collaborating on a drum book. This interview was done for Max’s book. Part way into that … Continue reading

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Charlie Watts: No Difference in Jazz & Rock Rhythm Sections

SKF NOTE: This excerpt is from my interview with Charlie Watts. It took place in Charlie’s New York City hotel room in 1982 or 1983. The Rolling Stones were on tour in America. Tina Turner was their opening act. [SKF … Continue reading

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Jaimoe: The Decision to Be a Pro Musician

SKF NOTE: This is a small piece of a longer interview that took place on April 3, 1982 after an Elvin Jones drum clinic at Professional Percussion Center in New York City. Taking part in the interview were Max Weinberg, … Continue reading

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Paul T. Riddle and Max Weinberg: What If You’re Not Having Fun?

SKF NOTE: My three-way exchange with drummers Max Weinberg and Paul T. Riddle had never before seen the light of day. I’ve posted one segment from the interview. In the early 1980s, Max and I were collaborating on a drum … Continue reading

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