Carmine Appice Lobbies For Led Zeppelin Drum Spot

Carmine Appice Lobbies For Led Zeppelin Drum Spot
by Dave Lifton December 25, 2014 12:00 PM

appice_carmineOn the chance that Led Zeppelin decide to reunite, the odds are strong that John Bonham‘s drum seat would be occupied by his son, Jason. However, veteran drummer Carmine Appice feels that he is a better fit for the role than somebody who shares Bonzo’s DNA.

“Everybody in that band there is legendary,” he told the Totally Driven Radio podcast. “They’re old school and legendary. Jason isn’t legendary, and he’s not old school. He’s John Bonham’s son, but he don’t play like John Bonham…He plays like him. He’s not John. He’s got that name, but he’s not John Bonham. I’m not John Bonham either, but I think my style might be close, ’cause I came first, and John listened to stuff I did and did it his own way. And we took ‘em on their first tour. It’s very close-sounding stuff in feel.”

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Bob James (1978): Jazz-Rock Communicates to a Wider Audience

james_bobBob James: [W]hat really has happened is musicians from all different styles and eras have started cross pollinating and the two majors that I’m involved with – rock and jazz – have developed a series of musicians who have their roots in both. [J]azz musicians…have learned from the rock musician to be better in touch with a wide audience, thus making our music more universal. [N]ot only has it increased tremendously the financial possibilities of all of us involved in it, it has generated a kind of communication between us and our audience and just people in general. [I]n the early 60’s or late 50’s [t]he jazz musician was really isolated and didn’t want to have any touch with the rest of world, and the audience that was interested in the music was a very narrow one, a bunch of fanatics that wanted to listen to that music or nothing….

I think it was a self-imposed exile that these people were in and it was severely limiting in so many ways by not being objective about the things that were exciting about other areas of music. I think that what we see now…is far healthier and for more expansive. What we saw happen with so many younger jazz musicians, who did want to communicate, who did want to embrace or become acquainted with, or the be stimulated by the best elements from other areas, it just expanded their music, and as a result it expanded the audience….

Source: “Bob James,” by Zan Stewart, Musician, Player & Listener, June 15, 1978

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Chick Corea: Communication In Performance vs On Record

L-R Steve Gadd and Chick Corea

Chick Corea: One thing I’ve been working out recently is the difference between my communication in performance and my communication on record.

The communication line in a performance is so simple. It goes from the stage to the audience and that’s it. But there’s a whole process the record goes through before it reaches the listener’s ear. There’s a great variety of situations that a person listens in nowadays – in a car, at home, very busy, relaxing.

I can take it into consideration when I’m creating the product.

Source: “So What’s New With Chick?” by Len Lyons, Musician, Player & Listener, December 1978

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A. Zildjian Hall of Fame in 1971

SKF NOTE: A. Zildjian Hall of Famers in 1971

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Ed Mendel: Creating Drums From Ancient Sunken Timber

The Gainesville Sun – Business Profile
Marching to the beat of a different drum
Ed Mendel creates drums from timber recovered from local rivers
By Carl McKinney, Correspondent, Sunday, 12/21/14

mendel_ed

Ed Mendel shows a selection of drums made from lumber pulled from local rivers. (Matt Stamey/Staff photographer)

Ed Mendel started building drum kits when his business building houses slowed down.

Mendel opened Ancient Rhythms Drum Shop…in September. [C]ustomers can find percussion instruments from the major manufacturers [and] Mendel’s custom kits.

He started his custom line, Ancient Tree Drums, about five years ago when the housing market crashed and slowed down [his] contracting business….

[C]ollecting high-end drum kits, Mendel began taking them apart.., studying the materials and…design.

The instruments are created with wood from timber recovered from local rivers….

Some…logs have been submerged…more than 100 years.

“It makes incredibly beautiful and excellent tone wood,” Mendel said. “When I found out I could get local material that nobody else has tried to build a drum with, that’s what got me really excited.”

“I don’t feel like I’m selling instruments,” he said. “I feel like I’m selling a happier lifestyle.”

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