Craig Krampf: ‘I Am Asking for Your Prayers, Good Thoughts, Positive Messages’

SKF NOTE: I first saw this request from drummer Craig Krampf a few minutes ago on Facebook.

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Cobham’s Tama Artstar Drumset 1984

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SKF NOTE: From the February 1984 Down Beat magazine. One in a long line of Billy Cobham‘s great looking drumsets.

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Audio: Freddie Gruber: Teaching Saved My Life

SKF NOTE: Excerpt #6 from Freddie Gruber’s interview with Scott K Fish circa 1983.

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Ed Soph Interview: The Instrument is Neutral (1985)

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SKF NOTE: I’ve posted on this blog published and unpublished parts from this 1985 interview with Ed Soph. As I said in one post of interviewing Ed Soph twice: Ed was smart, funny, curious, methodical. He was a wonderful person to interview. No matter what question I asked, Ed had a thoughtful answer.

I think all music teachers, not just drum teachers, can gain valuable insights from this interview.

Two corrections from this interview as published. First,  Ed was clowning for the photographer by using four sticks. That wasn’t Ed’s standard approach. Second, in the last published page of this interview Ed Soph says:

The last time I was in England, I ran into this little 12- or 13-year-old kid named Mark Mandaceer, who comes from one of those ghettos where they stick the West Indian folk. He’s so poor that he doesn’t even own a drumset. He can’t afford a teacher. He knows other kids who are taking lessons, and he cops lesson sheets from them. Man, this kid is just going to tear it up. He and the instrument are the same. He has natural movements behind the instrument, and the most beautiful thing of all is that he has no fear of failure — no fear of making a mistake. When he’s playing in this combo, and he tries to pull something off, but he drops about six beats all over the floor, he just turns to me and gives his great big smile, shrugs his shoulder and says, ‘Next time.’ The next time comes and he kills.

Well, “Mark Mandaceer” should be “Mark Mondasir.” However, when Ed predicted “this kid is just going to tear it up,” he was spot on.

[SKF NOTE: 6/17/17 – Ed Soph’s full interview is now available on MD‘s Archive Page.]

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Sheila E. – The Lady Can Play (1985)

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SKF NOTE: I remembered interviewing Sheila E., but where and why had escaped me. That is, until I was thumbing through my October 1985 CREEM magazine last night. Why had I even kept that single copy of CREEM for 32 years? I couldn’t imagine.

Well, it includes my Shiela E. profile. And it also includes CREEM‘s 1985 Drum Supplement – on which I will post and comment another time. For the moment, I’ll just say, now I know why I saved this issue of CREEM: Shiela E. and the ’85 Drum Supplement. Of the two, Shiela E. is the positive memory. The Drum Supplement is a lesson learned.

850010_creem_scottkfish_coverAs a side note – the vertical blue ballpoint pen markings are a pre-computer word count. The 800 written in the lower right corner of the magazine page is the total word count for the Shiela E. profile. When magazine’s paid me X amount per published word, I would count the words, make a vertical mark every 100 words, total the vertical marks, multiply by 100 — and that’s the published word count I used on my invoice to magazines. Without the vertical marks it was easy to lose track and have to start again counting words from the beginning.

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