Terry Bozzio: The Evolution of His “Giant Sculpture”

Zappa Drum Legend Terry Bozzio on Touring the World’s Largest Tuned Kit
The Missing Persons/Fantômas/Korn pounder hitting 40 American dates playing giant, melodic kit

Terry BozzioYou can see the footage of you 40 years ago with Zappa, and the kits are big, but they’re not enormous. When did you fall in love with the idea of building this giant sculpture?

When I started to develop that electronic kit that I got the patents for in the Eighties and played on the second Missing Persons tour, I had 36 or 32 sounds in this one little three-foot bar in front of me. I got used to having all those things. And when I went back to playing acoustic, I started to add bells and some hi-hats and different things, but I was missing from the electronic kit.

Then someone called me and said, “Do you want to do clinics?” Ashamedly, I said yeah, OK ’cause I need the money and I kind of failed as a singer/pop artist and trying to be like Phil Collins. And during the time, I was depressed and started practicing. It was like a meditation, like a therapy for me. I kept thinking, “Why am I practicing? I’m already a good enough drummer that I’m almost alienating others in the music business by it. If I start practicing and getting better, nobody’s going to hire me.” So I began this thing of doing the clinics and working with the different companies, you find that, “Oh, Remo’s rototom castings, if you take them apart, you can use them as this really weird-sounding hi-hat” and I still use those. I had DW build me a take-off on the double pedal and I had them reverse the machinery so that the pedals was near me and the beater would be hitting a remote bass drum. And that stretched into using some big China hi-hats to kind of get a grancassa e piatti marching sound, you know? So I had remote hi-hats. Then when I went to the rack, you get rid of all these tripods and you put the drums on a rack and you go, “Man, I’ve got room for this and this and this under here.” And so before you know it, you just start adding whatever you can when you hear a sound in your head that you think would be a cool addition to some music that you’re trying to play. So it was really an evolution…

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Vietnam Fest: “Some Kids Get Drums Bigger Than an Adult”

CITY DIARY
That drumming noise during the mid-autumn festival in Vietnam
Stivi Cooke
Updated : 08/27/2014

Tet Trung Thu Festival DrumsWe are nearing the [Vietnamese] mid-autumn festival – Tet Trung thu – which also includes the kids’ version: dressing up in dragon costumes, banging on big drums….

It’s impossible to ignore, you know it’s coming because every kid or at least most boys are busy practicing their drum beats on whatever is handy. Remember the corny jungle drums from King Kong? Well these drums are like that except there are only three notes – loud, mildly loud, and slightly loud…

Some kids get drums bigger than an adult and enlist a team of other kids to push them around on a wooden cart with the lucky drummer sitting on top.

As annoying as it is for me to listen to this for weeks, it’s also great that the kids have a project and a purpose and contribute to their culture. I just wish someone would introduce the idea of a guitar or ukulele or something! The beat is mind-numbing….

Still it could be worse. It’s not as loud as wedding music or construction truck horns.

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Scott K Fish: Life Beyond the Cymbals

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Jerry Marotta: The Secret to Finding a Solid Groove

Drummer Jerry Marotta: From the Colony Cafe to Omega
John W. Barry, Poughkeepsie Journal 12:54 p.m. EDT August 27, 2014

Is there a secret to finding a solid groove on the drums?

– My secret is to close my eyes and listen – hear the grove in my head before I start playing; imagine what I want to play.

What words would you use to describe a drummer who hits all their marks and connects with their audience, providing a solid foundation for his band mates at the same time?

– Tasteful. Smart. Giving

Is there a drummer that inspired you to initially take up the drums?

– My older brother brought the drums into the house and started playing them. I started listening to him and tried to copy what he was doing. He was of course my first real influence. After that I just listened to soul records – Motown. Stax. Philly, etc., those drummers, those musicians had the greatest influence on my playing. Then as I grew a little older, I started listening to drummers like Russ Kunkel and Jim Keltner. They influenced me greatly. Then, when I was 18, I got an opportunity to play with a band called Orleans. Ironically, they were my favorite band at the time. I was just so fortunate. The drummer in that band, Wells Kelly, was a hero of mine; an incredible drummer and musician. He and everyone in that band, John Hall, Larry Hoppen, Lance Hoppen, all had a big effect on me; on my playing.

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Stanton Moore: I Wanna Be a New Orleans Drummer

wwltv.com
Posted on August 25, 2014 at 10:43 PM
Updated yesterday at 10:46 PM

Guardians of the Groove: Stanton Moore spreads his love for drumming

Reeves: And…one of your drum teachers was the great Johnny Vidacovich.

Moore: “He had taught me that as a drummer, being from New Orleans was something that’s unique and that everywhere you go in the rest of the world, people would appreciate that. You would have something different and unique to offer, something special, so that rang true with me. I said, I wanna do this, I wanna be a New Orleans drummer.

“I realized that as I was growing up, I had to develop a program for myself to understand some of the things I needed to do in the New Orleans stuff, things like playing in between the cracks and playing different types of street beats, and I really had to explain it to myself.

Stanton Moore Web Site

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When the Drummer Dies, the Drum Dies Too

Drum dies with drummer
By  Pamodhi Kuruppu
Sunday, 20 July 2014

It is exciting to see another drumming. It is a pleasure to listen and admire an expert drummer’s improvisations. It is mysterious and will always be a mystery. I learned that drum is like heartbeat, the breath, the rain and thunder. There is blood pulled in and out the capillaries of hands that touch it’s taut membrane. There is big noise at once, lowered again and runs fast touching  the tip of notes and slowly drifts putting a halt to the show.

Drums are fascinating; drummers are a spellbinding creation for me. For example, the drummer will always know the notes by heart and for the listeners, some beats are unforgettable.

I learned that one drummer‘s style cannot be followed by another. It’s always different.

Above everything when the drummer dies, the drum dies too. Because only a drummer will know his beats and the degree of pace to keep with his companions.

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