Hobbs: Freedom Attracts Young Chinese to Jazz

Vancouver drummer finds jazz, musical freedom on rise in China
By Scott Hewitt, Columbian Arts & Features Reporter
Published: November 28, 2015, 5:56 PM

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Gary Hobbs

Things ain’t what they used to be in East Asia, and especially in urban centers such as Beijing and Hong Kong, according to jazz drummer Gary Hobbs.

You might actually hear that sly Duke Ellington standard pouring from the doorway of a nightclub or conservatory these days — in a civilization that used to consider jazz music subversive, even pornographic, and definitely anti-communist.

…Hobbs, 67, …on his fourth teaching-and-performing junket to China, Taiwan and Hong Kong in late October. The centerpiece of the trip was the third annual China Drum Summit, hosted by the Beijing Contemporary Music Academy.

Hobbs was…“totally shocked,” he said, at the masses of Chinese music students displaying real talent and fire about this essentially American art form. Hobbs…found “massive conservatories full of all these brazen virtuosos” who are practicing the instruments…like their lives depend on it.

“I’m not sure why all of a sudden jazz is cool there,” he said, “but it is urgent.”

Fun and freedom

Hobbs’s 10-day October trip was packed full of concerts, classes and one-on-one clinics where he got to be the admired master. But he felt exactly like a nervous young student upon learning that he’d be teaching alongside…Billy Cobham…. “He’s a god to me,” said Hobbs, who started practicing for four hours a day after he heard he’d be meeting Cobham.

In China, where culture was long frozen as a matter of national policy, music of all sorts is now catching up.., Hobbs said. Everybody is deep into jazz.

“They really dig it, all these skinny young kids,” Hobbs said. “They really come out and support this music.”

What’s hooked them, he said, is what they were denied before: Freedom.

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Ed Blackwell’s Paiste Profile 1975

SKF NOTE: Ed Blackwell’s page from Paiste’s Profiles of International Drummers, Percussionists, Musicians #2. Copyright 1975.

blackwell_ed

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Gallaudet Football Team’s Talking Drum

SKF NOTE: I first learned about Gallaudet University from a young lady enrolled in my smoking cessation program at Sibley Memorial Hospital. Both Sibley and Gallaudet are in Washington, D.C. My quit smoking enrollee was deaf. I was amazed that she was able to take part in my class with no special assistance. She relied on her lip reading skills and, I suppose, her powers of observation.

I have forgotten her name, although I remember her. She was a Gallaudet student. I was intrigued with her stories of a University for the deaf and hard of hearing. And I invited her to become a smoking cessation class teacher. But she said no.

Fast forward to a recent sports page story about the University of Maine football team playing Gallaudet University’s football team. My girlfriend, Eileen, asks, “How do Gallaudet football players hear the calls?”

Good question. I have a new friend, Tammy, who is a former Gallaudet student. I ask her Eileen’s question. Tammy answers, “There is a large drum they bang . The players can feel the vibration of that. The coaches use sign to the players as well.” You can see the drum in use in the video below.

Another great story from Gallaudet University. Giving new meaning to the term talking drum.

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Stand-Up Drummer Inspired by Maureen Tucker

SKF NOTE: Live and learn. Drummers playing while standing is not new. Slim Jim Phantom of Stray Cats comes to mind. What is new to me is a standing drummer first influenced by “Tony Williams, Elvin Jones, Don Moye, Hal Blaine, Jo Jones, Ed Blackwell, Roy Haynes, Ringo Starr,” but didn’t find his drumming passion until he heard Maureen (Mo) Tucker with The Velvet Underground. Go Mo!

The Maureen Tucker video at the close of this post is part of longer interview available on YouTube. The still shot is of the unique drumset Victor DeLorenzo used while recording his latest album.

Showoff with Victor DeLorenzo
Confessions of a stand-up drummer
Published Nov. 27, 2015 at 10:33 a.m.

vicdrumkit

When I started to play the drum set some 40-odd years ago…all the drummers that I admired sat down behind their [drumsets] to guide and power some of the most exciting bands….

My favorites included…Tony Williams, Elvin Jones, Don Moye, Hal Blaine, Jo Jones, Ed Blackwell, Roy Haynes, Ringo Starr and so many more masters of time and taste.

Then I heard the music of The Velvet Underground and the gender bending earth shattering drumming of one Maureen (Mo) Tucker! She played fierce, driving beats on a snare drum, batter side turned up bass drum, and big cymbals, usually with the aid of mallets instead of sticks. Although she used such an unorthodox setup, she played with such a conviction that never let you think that there was something lacking in the drum department.

Mo’s playing was peppered with a dramatic freedom and a primitive growl that whipped and slashed through melody and lyric. Her drums and her style gave me some things that every young drummer comes to realize sooner or later: “Economy is king, and simple is best!”

Oh, and yes … she was standing up.

I wanted to be “the Keith Moon of stand-up comedy drumming,” and then some.

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Hogchain: USA Drums Made to Your Specs

SKF NOTE: I have neither heard nor played Hogchain drums. Still, I enjoy stories of niche drum makers succeeding.

Local Creates Custom Drums
Published November 27, 2015
By Kaitlin Mullins

hogchain

The story of Brookhaven native Brodie Davis and his custom drums illustrates that success in business is sometimes only a buy-product of the pursuit of happiness. …Davis and his niche business, Hogchain Custom Drums, have proven they can compete with the best of them.

“Over the years as I got better at drums I became more picky about the gear I used.

Davis, who just turned 30, started building when he was about 24. Hogchain Custom Drums has 27,001 followers on Facebook.

He…developed a relationship with powerhouse instrument company Orange Amplifiers out of Atlanta, and built some themed snare drums for them. Working with Orange just about tripled his business, Davis said.

Most of his orders are for snare drums, though he does entire drum kits as well. His drums are 100 percent handmade..of usually walnut, maple, or both, and are hand-stained. [M]usicians may order drums to their exact specifications, any size and any color.

“And it’s all American-made. I will not touch hardwood that isn’t grown in America, nor will a piece of metal go on it that isn’t made in America,” [Davis said.]

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