Neil Peart’s Advice to Anika Niiles?

SKF NOTE: A happy breakthrough. That’s how this video of Geddy Lee and Alex Lifeson announcing a new Rush tour strikes me. Good for them.

Certainly Neil Peart is smiling at the tour announcement. I can’t imagine Neil would react otherwise. After all, he had finished his last tour roughly ten years ago and was moving on to life without Rush tours. More time for family, writing, and other projects.

Anika Niiles, Rush’s drummer for their upcoming tour, is new to me. Interviewing her about the Rush tour would be interesting.

Neil was a methodical drummer, working out his parts for Rush songs with little room for onstage improvisation. During our interview published in Modern Drummer April 1984 Neil described performing in sync with Alex, Geddy, and all kinds of sequenced electronics. Laughing, I told Neil what he was describing sounded fragile, risky. That one missed cue – a stick drop, a memory loss – would cause the Rush song in question to come crashing in on itself.

Neil, if memory serves, said playing Rush songs was sometimes exactly that fragile. And sometimes, along with human error, electronics went haywire. In either case, the band had to press on.

I’m wondering if Ms. Niiles will have to memorize Neil’s drum parts note for note. As Neil described his method of building out his Rush drum parts, it seems Niiles has no option. In a way, Neil’s approach was similar to classical percussionists, where he knew in advance exactly what he was going to play.

Adding to the Rush 2026 intrigue? Alex and Geddy mention expanding Rush as a trio, at least for some songs, to a quartet or quintet. That suggest Anika will have room to improvise and/or create her own drum parts.

And maybe the new Rush means some new songs.

Neil’s advice to Anika? No one knows for sure. (Although it won’t surprise me if someone finds a Peart essay to his unknown successor.)

But I think Neil would advise Anika Niiles, “Be yourself. You’ll do fine.”

The good news is: Rush is alive and well.

Posted in Audio, SKF Blog | Tagged , , , , , , , , , | 1 Comment

Jaijai Jackson: “That’s How It’s Done”

SKFNOTE: Jaijai Jackson and I met through her Linkedin “The Jazz Network” and “Not Just Jazz Network. Early on I learned Jaijai’s father is the great jazz bassist and band leader, Chubby Jackson.

Chubby was part of Woody Herman’s classic Thundering Herd rhythm section with legendary drummers Dave Tough and Don Lamond. Chubby Jackson also worked and recorded with drummer Tiny Kahn and many other jazz greats. He was among those musicians who excelled in both Swing and Bebop styles.

Before I dug deep into Chubby Jackson as a jazz musician, I knew him from his local NY tv show airing “The Little Rascals” episodes.

That’s also where I first saw Jaijai’s brother, Duffy Jackson, performing as a kid drummer with his dad. Duffy became a well-respected drummer, performing with the Count Basie Orchestra, Sammy Davis, Jr.’s TV Show big band, Monty Alexander, and his own bands.

But what started as my September 4, 2025 interview with Jaijai about her father and brother expanded into an interview about Jaijai’s fascinating career as a music performer and as a key person ion the business side of the music business.

For example, Jaijai was part of a girl group, including Cathy Rich, singing with Buddy Rich’s Big Band. Jaijai also managed her brother, Duffy, and handled Buddy Rich’s contracts while she served as a key person for the famed Willard Alexander Booking Agency.

These days Jaijai Jackson is interested in educating and promoting up-and-coming jazz artists, as well as writing a book about her father, bassist/bandleader Chubby Jackson.

Visit Jaijai Jackson on Linkedin at her “The Jazz Network Worldwide” & “Not Just Jazz Network.” https://www.linkedin.com/groups/1607627/

Chubby Jackson, Jaijai Jackson, Duffy Jackson
Posted in SKF Blog | Leave a comment

Added Percussion

SKF NOTE: Friday morning my car was alive with sounds of music.

Listening in my VW Golf Sportwagen, enroute to pick up my grandson, and listening to guitarist Kenny Burrell’s “God Bless the Child” album on the CTI label.

This is a wonderful album with superb musicians including Freddie Hubbard (trumplet), Billy Cobham (drums), Ron Carter (bass), arrangements by Don Sebesky, and percussion by Ray Barretto and Airto Moreira.

Among the album tracks are some pretty ballads: “A Child is Born,” “God Bless the Child,” and “Ballad of the Sad Young Men.” For no apparent reason, this morning I was mostly listening to the percussion instruments. Cobham’s drumset playing, yes. But listening moreso to Moreira and Barretto.

This Burrell album was recorded and released in 1971. On some tunes, I found myself analyzing the percussionists, wondering, if this session took place today, 54 years after the original session, if the producer would allow these percussion sounds on the master tracks. Might those sounds be left out? Or maybe mixed more in the background?

My mindless questioning. I was mostly having fun listeing to the percussionists, picturing the percussion instruments, and imagining how the percussionist (probably Airto) looked while making the sounds I was hearing.

During one song – I forget which – I was driving immersed in a percussion wonderland. Really good.

But when the song ended, I discovered my right blinker clicking had been on the whole time, part of the percussion mix!

Again, driving home with my grandson in the car, listening to Burrell’s music and percussionists, I thought the use of a police whistle was an interesting choice for a ballad. But, it worked. Sort of.”

The next time I heard the whistle I looked at my grandson playing a game on his iPad.

“Is that police whistle part of this music? Or is it part of your game?” I asked.

“It’s part of my game.”

Posted in SKF Blog | Tagged , , , , , , , , , , , , , , , | Leave a comment

Al Foster – No Wasted Notes

SKF NOTE: No wasted notes. Al Foster took the musical vocabulary of bebop, funk, and fusion, distilled each into its essentials and no more, and swung always with grace and power.

Thank you, Mr. Foster. You will be missed.

Posted in SKF Blog | Tagged , , , , | Leave a comment

New and Remastered Blakey

SKF NOTE: Already familiar with the original release of guitarist Kenny Burrell’s On View At The Five Spot Cafe, news of Blue Note releasing On View At The Five Spot Café: The Complete Masters is exciting news. Any chance I get to listen to newly released Art Blakey, I’m there. After listening to a few of this album’s remastered tracks, Blakey’s drums sound very alive.

Blakey remains essential listening, especially for drummers who’ve never before heard Blakey. His talent for driving bands of all sizes, loudly and softly; Blakey’s unique way of treating drumset rhythms melodically, his signature press roll and hi-hat playing; Blakey’s use of sticks, brushes, and mallets – modern drummers have much to learn from Art Blakey.

This album is an excellent place to start. I look forward to listening to the entire album.

Here’s some of Blue Note’s album announcement.

=====

On View At The Five Spot Café: The Complete Masters, a special Tone Poet Vinyl Edition of guitarist Kenny Burrell’s 1959 hard bop summit with drummer Art Blakey, is out now! The expanded 3-LP, 2-CD & digital sets present the complete recorded performances for the first time including 6 previously unissued tracks.

Produced for release from Rudy Van Gelder’s original master tapes.

Burrell had already achieved rising star status with several stellar Blue Note albums to his name when he entered the storied NYC jazz club The Five Spot Café on August 25, 1959, for his first live recording date as a leader. The band Burrell assembled for the gig was stacked with top talent: Blakey on drums, Tina Brooks on tenor saxophone, Roland Hanna & Bobby Timmons on piano & Ben Tucker on bass. The mood was relaxed & soulful, but the music was red hot & the grooves were deep on that steamy summer evening of hard bop bliss.

Posted in Audio, Drum/Music News, SKF Blog | Tagged , , , , , , , , , , , | Leave a comment