James Bradley, Jr. Modern Drummer Interview 1981

SKF NOTE: James Bradley, Jr. earned the drum chair with Chuck Mangione after his immediate predecessors: Joe LaBarbera and Steve Gadd. Mr. Bradley recorded with Chuck Mangione some excellent albums. Feels So Good (1977) had its title song reach #4 on Billboard’s Hot 100 chart. That album was followed by Children of Sanchez (1978), and Live at the Hollywood Bowl (1978).

In 1979, James Bradley, Jr. recorded Chuck Mangione’s Fun and Games album which featured Give It All You Got, the official theme song of the 1980 Winter Olympics in Lake Placid, NY.

I was familiar with and liked James’s work with Mangione, but I didn’t know much about James Bradley, Jr. when he and I met for this interview. Don’t know why I wrote no introduction to this interview. Probably because, outside of his playing on Mangione’s albums, I didn’t know anything about James Bradley, Jr. Whatever I might have said by way of introducing Mr. Bradley is included in this interview.

Finally, other than photographer Tom Copi‘s color photo, this is one of the rare Modern Drummer interviews that included my photos. James and I were onstage at the Westbury Music Fair in Westbury, NY.

[SKF NOTE: 6/17/17 – James Bradley, Jr.’s full interview is now available on MD‘s Archive Page.]

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Was Ringo a Fan of Keith Moon’s Playing? No, But…

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Keith Moon

Ringo on heroes, style, his son and, uh, drums
Chris Varias, Enquirer contributor 11:48 a.m. EDT June 17, 2016

Q: You mentioned Keith Moon. Were you a fan of his playing?

A: No (laughs). He was one of my best friends. He was great. He had his style, and that style worked so incredibly amazingly for the band he was in. He was another one. I mean, mine is like the complete opposite of the way he played, but the style made it work, and his style made The Who work.

Full Interview

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A Favorite Photo of Philly Joe Jones

SKF NOTE: A favorite photo of Philly Joe Jones. I found this in the CD booklet with Sonny Clark’s Sonny Clark Trio album on Blue Note Records. If you have not heard this CD — it’s a wonderful piano trio: Sonny Clark, Paul Chambers, and Philly Joe Jones. What’s not to like?

philly joe sonny clark trio cd

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Don Lamond: ‘I Played Dave Tough’s Drums for Three Months’

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Dave Tough

SKF NOTE: If Don Lamond played drums on Bobby Darin’s hit song, Beyond the Sea, and never recorded again — I would still think of Mr. Lamond’s drum sound and drum fills on Beyond the Sea as essential parts of drum history.

Lamond is also unique as the drummer hired to replace Dave Tough with Woody Herman‘s big band, staying with the Herman band most of 1945-1949. For those of us who never heard Dave Tough play in concert, who never knew Tough when he was alive, Tough’s playing has always been based in part on hearsay. Imagine if Tough lived long enough and remained active as television grew popular, and music recording capabilities improved. Or think of it this way: what would we know of Tough’s contemporaries — Buddy Rich, Papa Jo Jones, Gene Krupa, Louis Bellson — if they had died in 1948?

The musicians who did hear Dave Tough play, who did know Dave Tough as a human being, can never pass on in words to those of us who missed it, what it felt like or what it sounded like, listening to Dave Tough on the drums.

Still, when I find musicians, especially drummers, offering one more firsthand piece of the Dave Tough tapestry — I like to make note of it. So, thank you Don Lamond and interviewer Gabe Villani for this information.

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Don Lamond

“Dave Tough was the greatest. I replaced Dave with [Woody Herman’s] First Herd. I played on [Tough’s] drums for three months. Dave was an idol of mine.

“I was raised to believe in swinging the band, not soloing. Dave Tough thought the same. Dave tuned his drums differently than anyone else I’ve ever known. They were comfortable to play on. The sound of his cymbals and the tension on his bass drum were unique. He used a lot of tape on the heads. He was a tape freak.

“Dave used three cymbals, a crash on the left that you could use anywhere and hi-hats that were beautifully matched. Dave didn’t drop bombs when he played. He just came at you like a dynamo. When he was right it made you scream. His bass drum was soft. In those days there were no electric basses, so the bass notes sounded as if they were coming out of the bass drum. Tough was fantastic. I was told that when he joined the Benny Goodman Orchestra, the musicians applauded him.

“I’ve never had a hard bass drum. I was influenced by Dave Tough. From his playing on drums, I realized how well soft drums blended with the band. I get the heads at the same tension, and then back off a little on the batter head. That goes for all the drums. I also use newspaper inside the bass drum.”

Source: Reflections: Don Lamond, by Gabe Villani, Modern Drummer, August/September 1979
Don Lamond Photo Credit

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Tommy Aldridge: Modern Drummer Interview 1981

SKF NOTE: In my introduction to Tommy Aldridge’s October 1981 Modern Drummer interview I wrote, “Not a week would go by without [reader] letters asking, ‘When are you guys going to interview Tommy Aldridge?'” I connected with Tommy by phone for this interview, but I don’t remember the details of our meeting.

After Tommy’s phone interview I did meet him in person in May 1981 at The Palladium in New York City during Ozzy Osbourne’s Blizzard of Ozz Tour. Tommy Aldridge was a true professional, a gentleman, and interesting to interview.

[SKF NOTE: 6/17/17 – Tommy Aldridge’s full interview is now available on MD‘s Archive Page.]

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