RIP Chester B. Fish Jr.

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RIP Chester B. Fish Jr.
Scott K. Fish, Special to the Piscataquis Observer • March 30, 2019

My dad died six hours ago. His name was Chester B. Fish, Jr. At age 93, dad outlived my mom by two years. And among his parents and two brothers, dad was the last man standing.

Had you asked me if I have any of my father’s mannerisms, I would have answered an honest “no.” Then in 2003, as part-time panelist on Maine Public Broadcasting’s “Public Opinion” tv show, I was shocked to see myself with my father’s facial expressions and body language.

Of his five children, I am the only one to follow in his journalism footsteps. Although that never crossed my mind until my mom mentioned it years ago when I was Modern Drummer magazine’s Managing Editor. My dad worked mostly as an Outdoor Life magazine editor, including as Editor-in-Chief.

He switched to book publishers the last stretch of his career, working as Acquisitions Editor for Scribner’s, David McKay, and Stackpole.

Dad never warmed to computers. I’m told that was his undoing in the publishing business. While co-workers were transitioning to word processing, dad stuck to his typewriter. Someone else had to retype my dad’s work into a computer. Not a winning economic model.

My attempts to assure dad he could get the hang of computers — and be glad — failed. He acted as if he was afraid if he pushed a wrong button the family computer would self-destruct in a shower of sparks and smoke.

But I certainly do remember many weekends of dad on the living room couch editing magazine manuscripts, or banging away on his green-and-tan Royal typewriter, which I still have.

I credit my father with instilling in me love of the outdoors. Most of our family vacations were tent camping. I don’t think mom was thrilled vacationing in tents with four young kids; two girls and two boys born within seven years. But those were good times for me.

Along with years in outdoor journalism, dad grew up on a tree nursery, and was an Eagle Scout. He taught us how to build a safe campfire — even with flint and steel; how to tie rope knots, how to police a campsite; how to catch a fish and prepare it for eating, how to cook over a campfire; how to shoot a rifle, gun safety; how to use axes, knives, and hatchets.

Among my favorite memories: My brother, Craig, and I are little kids, probably four and five years old. Dad is holding white birch bark and saying, “You can get this birch bark as wet as you want — I can still use it to start a campfire.”

What? Sure our dad has underestimated our abilities with garden hose and water bucket, Craig and I drowned the piece of bark. We hand the bark back to dad, and he sets it afire with one match. Wow!

Of all environmental histrionics over the last twenty years — there’s not one I didn’t learn about from dad. And he taught me without using fear and scare tactics, but with basic outdoor common sense.

I wish my dad had more interest in communicating with his kids as adults, especially after we kids scattered over many states. But the very few times my dad initiated phone calls, it was at my mom’s urging: “Why don’t you call Scott and see how he’s doing?”

In the last few years, one of my calls to dad was fairly long. We had a very good time chatting, maybe our best phone call ever. As our call was nearing its end, dad said, “Well, Scott. This has been a good phone call. But we probably shouldn’t count on doing this on a regular basis.”

I smiled.

In the grand scheme of fatherhood? Well done, dad. I wish we could have known each other better, but, thank you, dad, for my life.

We’ll catch up some other time.

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Will Calhoun – Drummers Studying Piano, Music Theory

SKF NOTE: Will Calhoun is among my favorite interviews. I am sorry it was never published. From reading my 1989 notes, this interview was meant to be published in Modern Percussionist magazine.

But before Will’s interview was published, Modern Percussionist ceased publication.

Will talks in this excerpt about two early influential teachers who encouraged him to add to his drumming a knowledge of keyboard and music theory.

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Hal Blaine – No Parties or Memorials When I Leave the Planet

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SKF NOTE: This post is on Hal Blaine’s Facebook page.

Regarding funerals, memorials or celebrations, Hal said it better than we can. This is one of many emails he wrote along the same lines… and we will honor his wishes. —The Blaine family. Full post

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My 12 favorite drummers are Hal Blaine

My 12 favorite drummers are Hal Blaine
Scott K. Fish, Special to the Piscataquis Observer • March 16, 2019

Most of us know the sound of the 1960s. But very few of us can say we are a sound of the ‘60s. Drummer Hal Blaine, who died a few days ago at age 90, was one of those few. I worked with Hal (1980-83) when I was managing editor of Modern Drummer magazine.

In its obituary of Mr. Blaine, the New York Times describes him as “part of a loosely affiliated group of session musicians who in the early 1960s began dominating rock ’n’ roll recording in Los Angeles. Mr. Blaine played on thousands of recordings through the mid-1970s.”

Drummer Bruce Gary of The Knack said, “One of my biggest disappointments was finding out my twelve favorite drummers were Hal Blaine.”

What did Bruce Gary mean? // Full column

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Michael Shrieve – Musical Career Updater 1983

SKF NOTE: This exchange between Michael Shrieve and me, which survived on a cassette, shows how slow it was in 1983 for well-known drummers to get career updates to their fans on the page of a print magazine. In this case, Modern Drummer. Usually working three issues in varied states of readiness at one time, Michael Shrieve’s news would reach subscribers and the newsstands about 90-days after our conversation.

That’s not at all a criticism of MD. All print publications, pre-internet, were working under similar circumstances. Today updaters are posted 24/7/365 on blogs and social media.

Shrieve was quite busy when we spoke. His real or planned drumming activities included release of a jazz trio album, a solo percussion album; dates with Roger Hodgson, possibly Stomu Yamashta, Santana, and other projects.

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