Scott K Fish

SKF NOTE: Over the next few weeks I am making available my full interview, no edits, with Frankie Dunlop. The interview took place in 1984 in two sessions. The first session, on October 16, 1984, was at my former in-law’s New York City apartment.

The December 13, 1984 second session took place at my rented cottage home in Washington, CT.

Topics covered in this fourth part of Frankie’s interview include Jake Hanna, Birdland, Maynard Ferguson, Don Sebesky, big band drumming, John Bunch, Ann Marie Moss, playing louder without hurting yourself, Big Jay McNeely, back beat, rhythm & blues, shuffle beat, Lena Horne, Lenny Hayton, Duke Ellington, playing all styles, Sonny Rollins, Thelonious Monk, Monk rhythm sections play like big band rhythm sections, healthy diet and exercise, Mel Lewis, Monk listening habit, Jimmie Lunceford, Clark Terry, and swinging.

I’ve cleaned up the sound from the original audio cassettes with compression, and also noise reduction, to minimize tape hiss. Now and then there are sound hiccups. Otherwise the sound is intact. The taping starts and stops are not seamless. Our conversation does not flow undetected from one side of a tape to the next, or from one tape to another tape. While interviewing, I tried to keep my eye on the time, but didn’t always succeed.

However, where Frankie was making an important or interesting point and a tape abruptly ended, we picked up the point when the next tape started rolling.

There are seven approximately 45-minute sessions in total, roughly three-and-a-half 90-minute tapes.

I will give each session a full listen before uploading them, and provide topic highlights — an index — for listeners.

I believe this is the only taped interview with Frankie Dunlop in existence. Since 1984 no other taped interviews have surfaced. For that reason I would like to make these tapes available to the public for posterity. Especially for drummers and music historians.

I’m happy to answer questions. The best way to contact me is through my SKFBlog.

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SKF NOTE -I am making available my full interview, no edits, with Frankie Dunlop. The interview took place in 1984 in two sessions. The first session, on October 16, 1984, was at my former in-law’s NYC apartment.

The December 13, 1984 second session took place at my rented cottage home in Washington, CT.

I’ve cleaned up the sound from the original audio cassettes with compression, and also noise reduction, to minimize tape hiss. Otherwise the sound is intact. The taping starts and stops are not seamless. Our conversation does not flow undetected from one side of a tape to the next, or from one tape to another tape. While interviewing, I tried to keep my eye on the time, but didn’t always succeed.

However, where Frankie was making an important or interesting point and a tape abruptly ended, we picked up the point when the next tape started rolling.

There are seven approximately 45-minute sessions in total, roughly three-and-a-half 90-minute tapes.

I will give each session a full listen before uploading them, and provide topic highlights — an index — for listeners.

I believe this is the only existing taped interview with Frankie Dunlop. Since 1984 no other taped interviews have surfaced. For that reason I would like to make these tapes available to the public for posterity. Especially for drummers and music historians.

In this first session Frankie and I focus on his formative years. Key names discussed here are Georgie Clark, Gene Krupa, Johnny Rowland, Maynard Ferguson, Ed Shaughnessy, Louis Bellson, Charli Persip, Max Roach, US Army, Korean War, Nelson Boyd, Symphony Sid, Birdland, Charley Wilcoxon’s Rolling in Rhythm.

I’m happy to answer questions. The best way to contact me is through this blog.

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