Meet Don Lamond: Studio Man Supreme (1958)

SKF NOTE: From the March 20, 1958 Down Beat. Interview by Editor Don DeMichael. There may be other Don Lamond interviews, but I can’t remember seeing any. This piece cites interesting history. I knew Lamond played in Woody Herman‘s band. I did not know Lamond replaced Dave Tough.

As of this writing, my favorite Lamond recording is Bobby Darin‘s Beyond the Sea. Many years ago, stuck in traffic at NYC’s George Washington Bridge toll booths, Beyond the Sea came on my car radio. Both the sound of Lamond’s drums and his drum fills blew me away. They still do.

And, of course, this short interview has several Don Lamond pearls of wisdom for drummers, i.e.:

A drummer has to listen to the whole band. When I’m doing a date, particularly a jazz date, I try to get rid of the music as fast as possible. Once it’s memorized, then I can concentrate on what the whole band is doing, and fit in with breaks and things that will add to the arrangement.

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Remembering Chico Hamilton

SKF NOTE: As with other drummers, I was hooked on Chico Hamilton‘s playing from the moment I heard him with the Gerry Mulligan/Chet Baker Quartet on Walking Shoes. The piano-less quartet used swinging, methodical arrangements. Chico’s drumming, both accompaniment and soloing, followed the same pattern.

Hamilton is also the first drummer I saw using single-head drums. He said that came about out of necessity during the World War II era.

Mike Dolbear: This single-headed thing evidently came about by accident because during the war he was unable to get calf-skin heads for his drums and if he broke a batter head he would simply replace it with the head on the bottom and this would of course make the drum sound more open. He began to like the sound it gave and once he got together with Gretsch, those were the sort of drums he asked them to make for him albeit with slightly deeper-than-normal shells. Full Story

Modern Drummer: I started that during the war. It was hard to get calf heads, so if I would go through a batter head, I’d replace it with the head from the bottom. I got so used to hearing the sound that way that when Gretsch started making my drums for me, that’s what they made. Full Interview

What I’ve always found more curious than Chico’s single-head drums are the unique dimensions of his tom-toms, custom made for him by Gretsch. If you look close at this Gretsch ad you will see Chico’s toms were made single headed. There are no lug holes drilled for mounting bottom heads. (I believe this is another of photographer Chuck Stewart‘s great series of Gretsch ads.)

If you’ve not heard Chico you’re in for a treat. In addition to his playing with Mulligan and Baker, he led several unique groups of his own.


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John Von Ohlen Photo Update: October 2015

SKF NOTE: The Blue Wisp Big Band just posted 20-plus new photos on the band’s Facebook page. Here’s a nice one of John Von Ohlen and the rest of the rhythm section.

For an answer to why Von Ohlen has his snare at such a severe angle: Click Here

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Steve Jordan: Listen to Every Type of Music

stevejordanyamaha450SKF NOTE: Steve Jordan was 21-years old at the time of this interview.

[Steve] Jordan‘s advice for young drummers: “The best thing is to be wide open, totally objective. Listen to every type of music. In other words, when you start listening to one thing and getting into just one thing and one thing only, it’s going to automatically limit what you can do. And that’s why a lot of people don’t do a lot of things. So many people are limited. That’s why you see the same guys on all the records. Those are the most versatile guys.”

Source: Saturday Night Live Band: Excellence Makes Room For Some Yuks (And A Tut), by Bret Primack. Down Beat, September 7, 1978

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Buddy Rich: Still Leaves Me Breathless

152005_garychester_buddy_0005[Buddy] Rich’s solo is as exciting now as it has been for the last three decades. His rolls between tom-toms and bass still sound like thunder; his licks are still the cleanest and fastest in the world. I know every paradiddle and press roll by heart — and it still leaves me breathless.

Source: Newport Turns 25, by Arnold Jay Smith, Down Beat, September 7, 1978

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