Keltner on Rich

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SKF NOTE: Re-reading drummer Jim Keltner’s interview in the November 1981 Modern Drummer, something he said about Buddy Rich made me smile. I decided it warrants reposting.

Here’s part of what I wrote about Keltner at the start of his MD interview:

Trying to establish a representative interview with Jim Keltner requires a sense of humor. The way he plays drums and the way he is seem to be so alike. Talk to Jim on Monday about drum heads, for instance, and you’ll get a different answer than you would if you asked again on Friday. We conducted this interview on and off for several months, putting the finishing touches to it only weeks before publication.

I had forgotten all about our interview preparation, and how much I enjoyed talking about life and drums with Jim Keltner.

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Jim Keltner: Let me tell you something about Buddy Rich. Everybody says that he’s real conceited and you can’t talk to him, right? A few years ago, Emil Richards took me and my wife to see Buddy play at a musician’s night in a restaurant in Glendale. All the musicians in town were there—especially drummers!

So after his set—which was incredible—we all went back to see him in the dressing room. I’m just watching him sitting there and talking and having been buzzed on how he played so incredible.

He looked real small and kind of vulnerable. So I went over and I said, “Can I kiss you, man?” I reached down and kissed him on the cheek. Everybody in the room was thinking, “OH SHIT WHAT’S JIM DOING? HE’S CRAZY! BUDDY’S GONNA KILL HIM!”

But he was so gracious and beautiful. He understood where I was coming from. He could feel what I felt in my heart, you know. He is an incredible man. Everybody’s got a reputation of some sort if they’re in the limelight at all.

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Elvin’s North Texas Jazz Lecture 1984

SKF NOTE: North Texas State University offers this one-hour Elvin Jones jazz lecture online. I started watching from the beginning and couldn’t stop until I had watched the entire 60-minute video.

Unfortunately, there is no easy way to promote the video by embedding it, with a link to the original, on my blog. So I’ve edited this clip for promotional purposes. If anyone connected with this video objects, please let me know, I will remove the video.

My hope, as I say, is that this excerpt will persuade viewers to visit the Jazz Lecture Series page and watch Elvin’s full verbal and musical performance.

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Jimmy Webb Interview Pt 4 of 4

SKF NOTE: This final part of my Feb. 28, 1983 Jimmy Webb interview is the shortest part. This is Webb completing his thought on the cyclical nature of the music/recording business.

There is also passing reference here to music Webb composed and arranged for an album by Art Garfunkel and Amy Grant called “The Animal’s Christmas.” Released on Columbia Records that album is still available.

A huge thank you to Jim Keltner who arranged for me to interview Jimmy Webb. And another huge thank you to Jimmy Webb for saying “yes.”

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Jimmy Webb Interview Pt 3 of 4

SKF NOTE: This third of four parts of my Feb. 28, 1983 interview with Jimmy Webb picks up the story of Ringo Starr’s frustration with the producer of Webb’s “Land’s End” album spending days trying to get a drum sound.

“Angel Heart,” Webb’s current album at the time of this interview, was recorded in three to four days, and he talks about that. The backup band for “Angel Heart” is Toto.

And our conversation covers lots of ground about the changing record industry.

“It seems we are at the end of an era. A lot of great careers are seemingly past their prime and leveling out. I feel a hush before another great boon of some kind,” Webb said.

Finally, Webb shares what he said is “the epitome of my philosophy of what it actually takes to be a songwriter and a composer.”

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Jimmy Webb Interview Pt 2 of 4

SKF NOTE: This Pt 2 segment of Jimmy Webb’s Feb. 28, 1983 interview picks up where Pt 1 left off. I just flipped the audio cassette and began taping again.

Here Jimmy Webb talks more about his songwriting; about how he writes songs.

Also, the conversation reminds us of how digital music and the internet are such game changers. Webb talks here, in 1983, about the frustrations of a songwriter with a record label unwilling to do much to promote his newest album.

This interview was originally for a short piece in Mix magazine. This is the first time the full audio interview has been made public.

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