Phil Collins: Nobody Had Ever Heard Anything Like That’

Phil Collins Looks Back on the ‘In the Air Tonight’ Drum Break: ‘Nobody Had Ever Heard Anything Like That’
By Jeff Giles February 12, 2016 10:42 AM

That album’s landmark single, “In the Air Tonight,” contains one of rock’s most famous drum breaks — a moment Collins discussed with Digital Trends.

“When we had Eric Clapton and some of his guys come up to the studio, we played ‘In the Air Tonight’ for them. When the drums came in, everybody said, ‘F—ING HELL! What the f— is that?’ Nobody had ever heard anything like that. Frankly, drums were never that loud. But it was my album, and it worked,” argued Collins. “We were playing with psychological things. The audience is there going along with you, and then suddenly you knock them on the head with this thing: Bvoom-bvoom!”

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Maurice Purtill: I’m Not Dead

 

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Maurice “Moe” Purtill

SKF NOTE: After I had closed for the night the cheese shop I managed in Huntington, NY, I was standing outside with Andy, one of the meat cutters from the butcher shop next door. Somehow we got around to talking about drums, and Andy said Glenn Miller‘s drummer, Maurice Purtill was a Huntington, NY native.

“No kidding?” I said. “Is he still alive?”

“No,” said Andy. “He died.”

Fast forward a decade. I’m Managing Editor of Modern Drummer magazine. A letter from a reader arrives asking, “Whatever happened to Moe Purtill?” That letter was floated during an editorial meeting as a candidate for publication in an upcoming MD. Neither Publisher Ron Spagnardi nor Features Editor Rick Mattingly had an answer for the reader.

“Oh, Maurice Purtill is dead,” I said. “I use to work next to a butcher shop in Huntington, NY — where Purtill’s from. The butcher knew Purtill. He told me Purtill died.”

So, I penned the “Purtill is dead” answer which accompanied that reader’s letter in the magazine. And not too long after that month’s MD hit the newsstands I received another reader letter from a NJ town not too many miles from MD‘s office. The letter said, in essence, “I am not dead. Signed, Maurice Purtill.”

I wrote Mr. Purtill an apology — which included my Huntington, NY story. Published a correction in the next available MD. But, boy, that was a great lesson in fact-checking.

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Remembering Mickey Roker

Photo by Rene Speur http://bit.ly/2hrWEo8

Photo by Rene Speur http://bit.ly/2hrWEo8

SKF NOTE: Modern jazz first clicked for me at the 1970 Newport Jazz Festival in Rhode Island while I was listening to Charles Mingus‘s group. Included in that group was a skinny, long-haired saxophonist named Bobby Jones.

It was impossible at that time to find a Mingus album in the United States with Bobby Jones on it. A few years later, when Cobblestone records came out with The Arrival of Bobby Jones, I grabbed, loved it, and listened to it over and over.

This album was also my introduction to Mickey Roker whose playing on Track 1, Side A — Thanks to Trane — was frightening. The tempo seemed impossibly fast. How could I, an aspiring professional drummer, ever hope to play that well?

And a few years later still I saw Dizzy Gillespie in concert in Iowa. There was Mickey Roker in the drum chair. A nice surprise. He played superb.

Mr. Roker remains a favorite. I cannot recall hearing him not play very, very well.

And, as I said, this tune is where Mickey Roker and I first said hello.

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Thad Jones/Mel Lewis Newly Released ’66 Vanguard Recordings

SKF NOTE: Listening this morning for the first time to the track, Big Dipper, from the newly released Thad Jones/Mel Lewis CD, All My Yesterdays: The Debut 1966 Village Vanguard Recordings, I am reminded of how great is this big band, and how great are the individual players. And I find myself missing Mel Lewis all over again.

https://soundcloud.com/detroitfreepress/big-dipper-alternate-take

Thank you to Doug Ramsey’s blog, Rifftides, for bringing this new CD to my attention. And also, for pointing out Mark Stryker’s essay on Thad Jones and the band.

No point in saying anything more. Just listen. What a great way to start the day.

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Enthusiastic Kids Might Actually Know Something

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Dave Weckl

SKF NOTE: I think his name is Chris. He was a young guy who called me from time-to-time, at Modern Drummer, full of enthusiasm about a local upstate New York drummer he said we should interview Chris was the only person in the world I heard talk about this local drummer.

This drummer’s only claim to fame was, Chris liked him and, according to Chris, this local drummer studied with Gary Chester. Oh, and the drummer consistently wowed patrons at a local club.

Long story short: It was not long before this local drummer had landed a gig touring with Simon and Garfunkel. His name was Dave Weckl.

I did, indeed, interview Dave but no one else at MD thought he warranted a feature interview at the time. So my Dave Weckl feature interview was published in a much shortened version as a profile.

For me, Chris’s enthusiasm and persistent phone calls were a good lesson. Gold is where you find it. And he was aware of Dave Weckl’s talent before lots of people – including the full Modern Drummer staff.

If Chris reads this, it would be great hearing from him.

Somewhere I have my Dave Weckl feature interview transcript. When I find it I will post it here. It might be fun to revisit what he had to say on the cusp of well-deserved fame.

[SKF NOTE: My complete 1983 Dave Weckl transcript is available here.]

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