Saving an Old Birdseye Maple Snare Drum

SKF NOTE: Thank you, Lee Vinson, at The Boston Drum Builders, a website devoted to Boston’s early 20th century drum makers, for your help in bringing to light this old snare drum I bought at a yard sale. The snares are stamped “A.A. Young, Lynn, Mass” — which led me to Mr. Vinson’s web site and email address.

The shell is 14.5 inches by 3 inches. With new heads, some cleaning, some lubricating — it will be interesting to hear how this old drun sounds.

Any one know where I can buy 14.5 inch batter and snare heads?

P.S. A.A. Young was born and is buried in in Maine not far from where I’m living.

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Hi Scott,

Thank you for writing. That’s an interesting little drum you have there!

Well the snare wires are certainly A. A. Young’s doings. The rest of the drum may be as well. It does make sense that the drum would still be in that part of the country!

I’ve only come across a very small number of Young’s drums and each of them are quite different. I did see another set of snare wires like that once. It seems Young was very much a DIY kind of guy, willing to piece drums together from whatever he could come up with. Just about every nugget of information I could mine is in the blog post you already found.

I’d be especially curious to know what the snare mechanism looks like. [H]ow many plys [is] the shell? Is there a vent hole with a grommet on the shell?

The thumbrods and claws are pretty nondescript, the same variety used by many makers of the era. The pencil markings are interesting but I don’t know that they can be traced to a specific maker..

-Lee

Hello Scott,

The snare mechanism is a design by William McIntosh commonly used by Boston’s Geo. B. Stone & Son. More on that here:

But the shell is very un-Stone like, so I would rule them out as a maker. Again, it’s hard to tell where Young was getting his components from and how much if any he was manufacturing for himself. Regardless, the bird’s eye maple is really striking and despite some extra holes everything looks to be structurally sound which is great.

New calfskin heads would bring this guy back into working condition if that’s the direction you decide to go with it. I’m happy to help if I can be of any further assistance to you!

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What You Play or Don’t Play Defines You

wilkeson_neal

Neal Wilkinson talks the “masters” of drumming and Carole King musical Beautiful
By Rhythm magazine

“The thing I find most challenging…on…every gig, is to play creatively in a song setting. Rather than playing millions of notes, …I’ve always been focused on…the flow, the groove, the choices of things you play and the palette you choose from. Even my sound, drum sizes, tuning, it all goes together to make it work.

“It’s what makes Purdie different to Gadd. It can be the simplest thing but often it’s…that you’ve chosen to…play [or not play] something. I think your…choice of what you play, or don’t play.., defines you as a player.”

“…I love Tony [Williams] and Elvin [Jones] because when you hear them play behind Miles or Coltrane the time is so strong [and] undeniable, but people tend to forget about that in those guys, they tend to think of them as these monster drummers that always played millions of notes.

Full story

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Frankie Dunlop: Max Roach Took Me Under His Wing

SKF NOTE: Prior to interviewing Frankie Dunlop, Mel Lewis told me he thought Frankie, when he first came to New York City, had studied with Max Roach.

This interview excerpt is Frankie’s response to what Mel Lewis said.

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Great Price: Elvin, DeJohnette with Joe Farrell

SKF NOTE: Last night I bought several MP3 jazz albums, among them, Joe Farrell’s Moon Germs. In 1972 I first bought the Moon Germs LP — and have been waiting many years for its reissue. This is a quartet date with Farrell playing soprano sax and flute, accompanied by Herbie Hancock on electric piano, Stanley Clarke on bass, and Jack DeJohnette on drums.

Joe Farrell’s album from 1971, Outback, is equally good with Farrell adding tenor saxophone, alto flute, and piccolo to his arsenal. The band on this date is Chick Corea on electric piano, Buster Williams on bass, Airto Moreira on percussion, and Elvin Jones on drums.

Amazon has the complete Moon Germs for sale at $3.87, and the complete Outback for sale at $2.99. I get no kickbacks from these sales. These are just great prices on great albums with excellent playing by two great drummers: Elvin Jones and Jack DeJohnette.

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Frankie Dunlop: Gene Krupa Arranges Slingerland Endorsement

SKF NOTE: Gene Krupa‘s kindness to Frankie Dunlop early in Frankie’s career is covered in my blog post, Frankie Dunlop: Gene Krupa’s Kindness to an Upcoming Drummer. In this audio excerpt you can hear Frankie telling the whole story. Frankie was playing a “rattletrap” set of drums with Maynard Ferguson’s big band. Krupa, who was on the same bill that day, liked Frankie’s playing, and offered Frankie a Slingerland drum endorsement – including a new set of drums annually.

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