Max Roach on Hollywood Drums?

SKF NOTE: My earlier post focusing on Max Roach playing Meazzi Hollywood Tronicdrums prompted one reader to ask if Max Roach had ever made albums using Hollywood drums.

The friend who gave me Max’s “For Big Sid” from the 1977 “Solos” album on Bayside Records tells me these are Hollywood drums. I have no reason to not believe my friend. He’s quite smart and knows a lot about drums and drumming.

That said, I have no other verification on the make of drums Roach used to record his “Solos” album.

At any rate, the “Solos” drums sound great. It’s interesting to compare the 1977 “For Big Sid” with the original 1966 Gretsch drum version on Max’s “The Drum Also Waltzes” album on Atlantic Records.

“For Big Sid” 1966
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Roy Haynes – Musical, Inventive

SKF NOTE: This grainy ad photo of Gary Burton’s innovative jazz/rock fusion band includes the forever evolving drum great Roy Haynes on a beautiful four-piece Ludwig drum set. This version of the Gary Burton Quartet recorded the groundbreaking album, Duster.

Listening to Roy Haynes in any kind of musical setting, as sideman or bandleader, you always know it’s him. To paraphrase another great drummer, Max Roach, you can always hear Roy’s one original idea in everything he plays. Haynes always swings, he takes chances, and he’s always musical.

“Not everything I play has a name,” he once told me about his drumming.

Here’s a look at the Burton Quartet in concert, and also, a link to the Duster album.

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Max Roach Plays Tronicdrums

SKF NOTE: This 1968 full-page advertisement shows Max Roach behind Meazzi Hollywood Tronicdrums. With the gift of hindsight, we know Tronicdrums did not make “other drum sets obsolete.” But they are pioneers in the history of electronic drums.

We have two Tronicdrums YouTube videos. One with Roach in concert on a set. And a second video, possibly a video made from a demonstration record, of available Tronicdrums effects.

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Paul Butterfield – End of an Era

SKF NOTE: Musician/bandleader Paul Butterfield was one of my musical heroes during my high school years. Starting with his East-West album, which was the Butterfield Blues Band’s second album, my high school music friends and I absorbed Butterfield’s albums through all his different bands. From his standard blues sextet to his horn bands, Butterfield’s bands were ultra cool and so very musical.

Paul Butterfield’s obituary here is from the Maryland Star Democrat newspaper. I first read it, standing in my yard, on that spring day in Oxford, MD. Butterfield’s death was sad for many reasons. I wish he had taken better care of himself. And Butterfield’s death also felt like the end of a very important part of my life.

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Russ Kunkel and Leland Sklar

SKF NOTE: Hats off to the Drum Channel for their three-part series interview with one of pop music’s exemplary drums-bass partnerships: Russ Kunkel and Leland Sklar.

The fourth video here is the trailer to a documentary, “The Immediate Family,” about Kunkel, Sklar, and the rest of the players who were the band behind James Taylor, Carole King, Jackson Brown, and many others.

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