Jason Bonham: The Last Time I Remember My Father Showing Me Anything

SKF NOTE: In January 1988 I did a phone interview with 21-year old Jason Bonham. Parts of this interview were published as a profile in a magazine whose name I’ve forgotten. Jason was in England. I was living in Maryland. 

Jason’s band, “Bonham,” recorded their debut album, The Disregard of Timekeeping, in 1988, released it in 1989. I heard the album, liked it and Jason’s drumming very much, but can’t remember if I heard the album at the time of this interview. It seems to me I must have. Perhaps I had an advance copy of the album.

I rediscovered the typed transcript to this interview today, read it again, and there are several Jason stories I think should be on the public record – as they were meant to be. This is one of them.

jason-bonham-06Jason Bonham: The last time I remember my father showing me anything was when I was 12- or 13-years old; where there was a great drum fill on…”Turn It On Again” by Genesis. There was a time change in there, and I couldn’t get this time change.

[My father] came and he said, “Very easy. What you just do is, you clip the hi-hat, and it changes. And this is what the snare drum sounds like.”

Okay.

We were both at these two kits playing to it. And he use to love playing to that song. It was one of his favorites to play to. And he respected Phil Collins’ drumming very much.

But it was one of those songs where it really got me going, because I couldn’t figure out the little hitch in the timing. That little hi-hat part. He said, “Come on. Play it together, then.” We were there for hours and hours and hours, and we had great fun.

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Dillon Harrison: Young Drummer of the Year Finalist

SKF NOTE: I found Dillon Harrison YouTube drum videos starting when he was 8-years old. This is the only one I’ve seen with Dillion on electric drums, and on a 4-piece kit. He’s making good progress. Still playing lots of notes, but fewer than when he was younger. He plays with confidence, and his time is good.

http://www.halifaxcourier.co.uk
Drummer on a roll as he gets to major final
A talented young musician has reached the finals of a prestigious drumming competition.

Dillon Harrison, 12, will go head to head with nine other competitors in the Young Drummer of the Year finals in February.

He beat more than 300 other entrants to win a place in the first shortlist of 40, which was then whittled down to the final ten.

The North Halifax Grammar School pupil began drumming when he was just six years old and now attends the Halifax Drum School, Crossley Street.

The competition…is a chance to give the country’s young drumming talent a national and international platform to kickstart their musical career.

Martin Davis, head tutor at the Halifax Drum School, added: “I’m so proud of Dillon, he really deserves it.

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Antonio Sanchez: Always Communicate with the Audience

Birdman cinematographer, Emmanuel “Chivo” Lubezki: “We had the drum-driven score going, because the drums were like the heartbeat of the character — it helped the actors get in the mood and the camera to get the rhythm.”

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In Conversation With Jazz Drummer and Composer Antonio Sánchez
Adriana Teresa Letorney, Co-founder & Creative Director of FotoVisura, Inc
Posted: 12/30/2014

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AT: The Oscars disqualified your film score for Birdman. Why?

Sánchez: Their explanation is that the licensed or incidental classical music “dilutes” my original score enough that it deemed disqualification.

AT: What is your perspective on the disqualification?

Sánchez: Basically, …the Academy is saying…the classical music takes so much away from my score that it is ineligible. [T]he score has been getting a lot of praise for something…I performed…by myself on drums — an instrument…many might not consider worthy of producing emotion the way a symphonic orchestra would. I have been playing drums for over 38 years and composing for over 20. [M]y main goal is always to communicate with the audience, and say something meaningful with my instrument.

Nobody walks out of that movie raving about the classical music. Instead, everybody talks about my score because it is very unique, new and powerful and it has never been done like that for a film.

My main issue with the disqualification is…it takes away from the artistic risk, innovation and originality…we put into the film score. [I]t sets a bad precedent for other composers that will want to take risks and do something innovative.

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Sherlock Holmes on the Power of Music

conan_doyle

Sherlock Holmes’s creator and author Sir Arthur Conan Doyle.

SKF NOTE: In Arthur Conan Doyle’s story The Cardboard Box, it transpires that Sherlock Holmes owns and plays a violin made by Antonio Stradivarius himself.

Sherlock Holmes: “Do you remember what Darwin says about music? He claims that the power of producing and appreciating it existed among the human race long before the power of speech was arrived at. Perhaps that is why we are so subtly influenced by it. There are vague memories in our souls of those misty centuries when the world was in its childhood.”

Source: Doyle, Arthur Conan; Books, Maplewood (2014-05-15). Sherlock Holmes: The Ultimate Collection.

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Discovering Buford Oliver

bern_buford3SKF NOTE: Listening this morning to tenor saxophonist Don Byas‘s CD Riffin’ and Jivin’. Mr. Byas is one of those great musicians I haven’t listened to much. Last night, combing through a large box of my CD’s, I came across Riffin’ and Jivin’, and decided I would dig deeper into Don Byas’s jazz contributions.

With the CD playing softly in the background, and me at work on my computer, a cool drum solo on the song, Rosetta, grabs my total attention. The drummer is Buford Oliver – a name brand new to me. Great! I love discovering drummers. Looking forward to learning about, and hearing more, from Buford Oliver.

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